Cesenatico.
What to see in Cesenatico? The canal port designed by Leonardo da Vinci, the village overlooking the water, the sea, historic boats and a town that has built its character around the harbour and the life of the Romagna Riviera.
During the summer season, tourism intertwines with the work of the harbour, the fish market, the departures of the boats and the daily rhythm of the sea.
The heart of the city is the canal port, which over the centuries has remained the place where Cesenatico’s life comes together and finds its identity.
Around this central axis, the activities, relationships and atmospheres have developed, accompanying every journey between the sea, traditions and everyday life. An urban structure that immediately reveals a clear vocation: to welcome without losing its identity.
Cesenatico has always lived
in a dual dimension.
On one side, the industrious city, tied to fishing, commerce, and the daily life of an active port. On the other, the city that, with the arrival of the summer season, opens, expands, and transforms, without ever denying its origins. It is in this balance that its most authentic character resides.
Walking through the streets that move away from the sea, there is a sense of continuity built from habits, repeated gestures, and places that endure over time. Far from the more stereotypical images of the Riviera, Cesenatico preserves an intimate dimension, shaped by lived spaces and long-standing relationships. It is a city that does not live to show off, but gradually reveals itself to those who take the time to discover it.
Here, the sea is not just a backdrop.
It is a constant presence, a daily horizon, a cultural reference. It influences rhythms, silences, and the way people inhabit spaces. Even in moments of greater affluence, Cesenatico maintains a recognizable measure, a human scale that allows one to stop, observe, and remain.
Premura looks at Cesenatico as a context where hospitality is not a constructed language, but a practice layered over time. A place where tradition and contemporaneity, memory and transformation coexist without evident fractures.
The places in the Collection that are part
of this territory share the same attitude:
attention to time,
respect for people, and a
form of care that does not seek visibility.
Cesenatico does not ask to be crossed quickly. It asks for presence, for listening, for a gaze capable of noticing what remains, even when everything seems to be moving.
Here, the sea is not just a backdrop.
It is a constant presence, a daily horizon, a cultural reference. It influences rhythms, silences, and the way people inhabit spaces. Even in moments of greater affluence, Cesenatico maintains a recognizable measure, a human scale that allows one to stop, observe, and remain.
Premura looks at Cesenatico as a context where hospitality is not a constructed language, but a practice layered over time. A place where tradition and contemporaneity, memory and transformation coexist without evident fractures.
This is where the places that are part of the Collection find their space: locations that engage with the town, respect its rhythm and interpret its identity.
Different stories, united by the same attention to time, people and the territory.
Cesenatico does not ask to be crossed quickly. It asks for presence, for listening, for a gaze capable of noticing what remains, even when everything seems to be moving.